济南国际摄影双年展第三届高校邀请展

“微芒成阳”亚太地区高校摄影邀请展

—清华大学美术学院

艺术总监：曾毅

总策展：张辉、黄荣华(土耳其)、柳银珪(韩国)

学术主持：姚璐

联合策展人：邓岩

  清华大学美术学院  

清华大学美术学院的前身是中央工艺美术学院，成立于1956年，是中国第一所高等设计艺术院校，汇集了当时全国最优秀的美术教育家、民族民间艺术研究者和海外留学归来的艺术家、设计家，在此后近四十年里是中国设计艺术领域唯一的一所独立建制的高等设计艺术院校，学院的教学思想和教学体系一直主导着中国现代设计艺术教育的发展，始终引领着中国设计艺术的发展走向。1999年11月并入清华大学，开始了在综合性大学中发展的新篇章。

根据国家高等教育管理体制改革和布局结构的调整精神，经国家教育部批准，1999年11月20日中央工艺美术学院并入清华大学，更名为清华大学美术学院。中央工艺美术学院并入清华大学，是我国高等教育管理体制改革的一项重大成果，它体现了科学与艺术相结合的二十一世纪高等教育的发展趋势。清华大学雄厚的教育基础和实力与中央工艺美术学院完整的艺术设计教育体系相结合,优势互补，非常有利于学科的建设与发展,也有利于培养德、智、体、美全面发展的具有良好人文精神和创造性的优秀人才，对创建世界一流大学有着重要意义。

Academy of Arts & Design , Tsinghua University

Academy of Arts & Design , Tsinghua University, formerly known as the Central Academy of Arts and crafts, was founded in 1956. It is the first higher design art college in China. It has gathered the best art educators, researchers of national folk art, and artists and designers who have returned from overseas study. In the past 40 years, it is the only independent higher design art in the field of design art in China The teaching ideology and teaching system of the academy have been leading the development of modern design art education in China and the development trend of Chinese design art. In November 1999, it was incorporated into Tsinghua University, which started a new chapter in the development of comprehensive universities.

According to the national higher education management system reform and the adjustment of the layout structure, with the approval of the Ministry of education, the Central Academy of Arts and crafts was merged into Tsinghua University on November 20, 1999, and its name was changed to the Academy of Arts & Design , Tsinghua University. The incorporation of the Central Academy of Arts and crafts into Tsinghua University is an important achievement in the reform of China's higher education management system. It reflects the development trend of higher education in the 21st century, which combines science with art. The combination of Tsinghua University's strong educational foundation and strength with the complete art and design education system of the Central Academy of Arts and crafts is of complementary advantages, which is very conducive to the construction and development of disciplines, and also conducive to the cultivation of excellent talents with good humanistic spirit and creativity who are fully developed in morality, intelligence, physique and aesthetics, which is of great significance to the establishment of a world-class university.

窗外是阴天，阴天意味着看不到太阳变化，是时间感的失去。穿着制服的学生在没有灯的教室里复制增殖长不大的无聊状态和模仿大人的嬉戏好像可以一直重复下去，自我的过家家，爱的幻想。直到微小的男人出现进入了照片。他见证了另一个我的离开。

《Copy and Zoom》

Outside the window is a cloudy day, which means that you can't see the changes of the sun, and it is a loss of sense of time. It seems that the students in uniforms can reproduce the boring state and imitate the adults' play in the classroom without lights. It seems that they can always repeat the illusion of self and love. Until the tiny man appeared and entered the picture. He witnessed the departure of another me.

吕可欣 Lv Kexin

《刺点》

本系列我将罗兰巴特在《明室》中引出的刺点"punctum”理论作为创作的线索。从本科到研究生，我跨越整个中国，从北到南，我愿抓住广州与北京带给我的一切。身心交织在一起的绝对优美赋予我一种隐喻式的观察角度。将记忆的外壳剥去，留下的便是它存在过的令人心碎的本质。摄影作为我输出的窗口，给予了我过去与真实共生的美好。

In this series, I will introduce the thorns brought out by Roland Barthes in the Ming Room "Punctum" theory is the clue of creation. From undergraduate to graduate, I span the whole of China, and from north to south, I would like to grasp what Guangzhou and Beijing have brought me. The absolute beauty of body and mind intertwined gives me a metaphorical perspective of observation. Peeling the shell of memory, what remains is the heartbreaking nature of its existence. Photography, as my output window, gives me the beauty of symbiosis between the past and reality.

《白色荒野》

家乡在我的记忆里是一片茫茫的荒野，它不是一个具体的地名，回望起来只有满眼的白色，在冷色调的风中，甚至连呼吸都是白色的。白色的雪堆积起茫茫平原，任何的东西都可以被埋葬其中，白色也让人产生无端的幻想：我幻想着这片土地上的事物，每一个停留过的风景中都似乎都有一段关于它的故事。

世界作为彼岸，自然作为拟像。当我回到家乡的白色荒原，通过凝视抚摸曾发生过的故事的遗迹，变泛起无尽的幻想：一切都是残骸，并走向宁静和永恒。顺着荒野上的「线索」，我一步一步接近凝固依旧的此地此刻，在我模糊的直觉里，拼凑出曾经诞生的关于这个白色荒野的神秘故事。

《The White Wilderness》

My hometown is a vast wilderness in my memory. It is not a specific place name. Looking back, it is only full of white. In the cold wind, even the breath is white. The white snow has piled up the vast plain, and anything can be buried in it. The white also makes people have groundless fantasies: I fantasize about things on this land, and it seems that there is a story about it in every landscape I have stayed.

The world as the other shore, nature as simulacrum. When I returned to the white wasteland of my hometown, through gazing at and touching the relics of the stories that had happened, endless fantasies emerged: everything was debris, and I moved towards peace and eternity. Following the "clues" on the wilderness, I approached the frozen place step by step. In my vague intuition, I gathered the mysterious story about the white wilderness that was once born.

中国参展院校：北京印刷学院、湖北美术学院、黄河科技学院、鲁迅美术学院、南京艺术学院、清华大学美术学院、山东工艺美术学院、上海工程技术大学、上海美术学院、上海师范大学、上海视觉艺术学院、四川美术学院、天津美术学院、西安理工大学、西安美术学院、西安欧亚学院、浙江传媒学院、中国美术学院、中央美术学院